Loading...
ART-HIST 447
Italian Baroque: The Age Of Caravaggio, Bernini And Borromini
|
|
|
Painting, sculpture and architecture in Italy from the creation of the Baroque style in the late 16th century to the beginnings of the Barochetto era. Prerequisite: ART-HISTORY 302 or permission of instructor and successful completion of the WEPT (effective FS93).
|
Credits: hours
|
back to top | |
ART-HIST 448
Spanish Art: El Greco To Goya
|
|
|
A history of Spanish art from the later fifteenth century to the Napoleonic invasion. Prerequisite: ART-HISTORY 302 or permission of instructor and successful completion of the WEPT (effective FS93).
|
Credits: hours
|
back to top | |
ART-HIST 450
15Th Century Italian Art And Architecture
|
|
|
An examination of the visual arts from the International Style and the Early Renaissance to the beginnings of the High Renaissance. Problems of patronage, artistic theory, the Antique, the role of art in humanist circles, and the effect of religious, political and economic developments on the arts will also be discussed. Prerequisite: ART-HIST 110 or ART-HIST 302 or permission of instructor.
|
Credits: 3 hours
|
back to top | |
ART-HIST 452
Greek Art And Architecture
|
|
|
A survey of Greek sculpture, vase painting, and architecture from the third millennium to the first-century B.C. Emphasis will be placed on the relationship of Minoan and Helladic aesthetics, and the connections between late Helladic and Geometric forms, and the nature and development of the classical and baroque styles. Prerequisite: ART-HIST110 or ART-HIST 301 or permission of instructor.
|
Credits: 3 hours
|
back to top | |
ART-HIST 455
History Of Photography
|
|
|
A survey of the history of photography as a pictorial art; technical developments and the interaction of photography with other arts will be included. Prerequisite: ART-HIST 303 or permission of instructor.
|
Credits: 3 hours
|
back to top | |
ART-HIST 461
Traditional and Contemporary Native American Arts
|
|
|
This course covers the history of traditional and contemporary Native North American arts, by examining cultural and aesthetic continuities between Meso-American and Native North American Arts. We also explore how Native American arts reflect the history of North America, including influences from Europeans, and conclude with contemporary Native American artists and their incorporation of various global influences.
|
Credits: 3 hours
|
back to top | |
ART-HIST 462
History of Modern Design
|
|
|
This course examines innovations in design, beginning with the Arts and Crafts movement in the 19th century, surveying all the major design trends of the twentieth century, and concluding with contemporary developments in the age of the computer.Prerequisite: ART-HIST 303 or permission of the instructor
|
Credits: 3 hours
|
back to top | |
ART-HIST 463
Primitivism and Its Aftermath
|
|
|
This course explores one of the seminal movements of the modern era and its ramifications for the visual arts today. Class discussions will consider the complexities and contradictions of primitivism of its rejection of modernity. We will look at European artists' attempts at deliberate regression through their appropriations from archaic, folk, and non-western art traditions, from 1800-on, while also situating these creative endeavors within the cultural and political contexts of the period. Prerequisite: ART-HIST 303 or permission of the instructor
|
Credits: 3 hours
|
back to top | |
ART-HIST 464
Modern Art & the Grotesque
|
|
|
This course explores how the grotesque shaped the history, practice and theory of art in the nineteenth and twentieth centuries. The grotesque plays a major role in many modern styles, and its expressive possibilities encompass the capriccio, the carnivalesque and burlesque, the fantastic, and the abject and uncanny. Artists have incorporated the grotesque as a means to push beyond established boundaries, explore alternate modes of experience, and to challenge cultural and aesthetic conventions. Prerequisite: ART-HIST 303 or permission of the instructor.
|
Credits: 3 hours
|
back to top | |
ART-HIST 473
Visual Arts Administration
|
|
|
This course on professional arts administration includes assignments in: copyright laws, database management, ethics issues, evaluation design, gallery museum management, grant writing and budgeting, public relations, resume design, tax laws, and website design and management. Students are required to learn relevant computer programs. This course is also open to music and theatre majors. Prerequisite: permission of instructor.
|
Credits: 3 hours
|
back to top | |
ART-HIST 479
From the Parthenon to the Altar of Peace
|
|
|
The course centers on the many different styles of Greek and Roman art from the fifth century B.C. to the early first century A.D. Attention is also paid to the political and literary forces behind its imagery. Three monuments serve as the pillars upon which the course rests: the Parthenon, Pergamon Altar, and the Ara Pacis. The lessons learned about style, the interaction of politics, literature, and art and the foibles of scholarship are intended to be applied to other fields of art history. Cross-listed with CLAS 479. Prerequisite: ART-HIST 301, CLAS 301 or permission of instructor
|
Credits: 3 hours
|
back to top | |
ART-HIST 482
Scope & Methods Of Art History
|
|
|
An exploration of the discipline of art history, including theoretical issues, guiding questions and problems, diverse approaches (historical and current), and research tools. The undergraduate capstone course for art history majors. Prerequisites: Senior standing and permission of undergraduate adviser.
|
Credits: 3 hours
|
back to top | |
ART-HIST 497
Special Studies In Medieval/Renaissance Art
|
|
|
With the permission of the department, an advanced student may pursue a selected subject on a seminar or tutorial basis. Acceptable for graduate credit with approval.
|
Credits: hours
|
back to top | |
ART-HIST H110
Introduction to the History of Visual Arts
|
|
|
This is an introduction to the history of art, with in-depth discussions of painting, sculpture, prints, and architecture. Students will be introduced to significant works from major historical periods; their cultural roles, style and composition, and the artistic processes involved in their creation. Emphasis is placed upon Western art history, with attention paid to important interactions with other world traditions, including the arts of Islam, Japan, and Africa. The comprehensive collections of the Nelson-Atkins Museum of Art contribute an important component to the course. ART-HISTORY 110 meets the college fine arts requirement. It does not count toward the art history requirement for departmental majors.
|
Credits: hours
|
back to top | |
|